Pro-level cameras also capture their footage in log, a flat color profile that retains the full range of the camera’s sensor within each clip.
#FREE LUTS FOR PREMIERE PRO CC 2018 HOW TO#
Most of these tips are written for Adobe Premiere Pro, but you’ll find much of the information will transfer to other NLEs if you know how to do the equivalent action.Ĭonsumer digital cameras are generally set up to shoot in a standard color profile called REC709. I want to share with you some Alexa and Arri workflow tips I’ve acquired over the years working on commercials, features and TV shows. Arri’s ProRes and ArriRaw workflows in post are fast and straightforward, and that’s why I love the Alexa. All high-end cameras these days make an incredible image, but I really appreciate anything that makes my workflow faster and more efficient. But of all the cameras and codecs that we see on a daily basis, Arri footage is loved in post-production just as much as it is on set. On the post side, we usually don’t have any control over what camera package is chosen for a project, or how that footage makes its way to us.
Arri’s ability to produce such a high-end image, in terms of color latitude and dynamic range have secured Alexa’s dominance as the workhorse for Hollywood’s elite cinematographers for digital filmmaking. It’s no secret that Arri cameras have become the standard of high-end productions across the film and television industry.
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